Starting off strong with an amnesiac scientist waking up on a spacecraft with two dead crewmates unable to remember who he is or what deep-space mission he’s been sent on, Project Hail Mary seems headed in the direction of dystopian sci-fi.
And indeed, that impression matches the premise of the film, which is about an unknown microorganism called Astrophage that’s attacking the sun, cooling it catastrophically and making the survival of life on Earth very doubtful. The scientist gradually recovers the basic idea that he’s on a desperate long-shot suicide mission to Tau Ceti, the only star unaffected by Astrophage, in order to discover its source of resistance to the deadly microorganism.
But then the movie pivots toward whimsical comedy with the devoted friendship that develops between the scientist on the spacecraft, Ryland Grace (Ryan Gosling), and the alien on a similar mission from a distant planet called 40 Eridani whom he names “Rocky” in honor of its faceless, rock-like combination of blocky limbs and torso. And the tone shifts toward that of a family-friendly adventure tale, uneasily framed by a scenario of probable doom.
The probable doom part is clearly meant to resonate with our current terror of the various ways the United States is racing to destroy the world as we know it, whether by carelessly starting World War III or by allowing environmental collapse to accelerate us toward annihilation because it’s not profitable to homegrown billionaires to check it. In a supporting role, Sandra Hüller (Anatomy of a Fall) plays Eva Stratt, the grim German in charge of the last-ditch attempt to save planet Earth, and she brings a welcome stone-faced adult sensibility to bear on the plot.
And Rocky, a complex puppet voiced by James Ortiz, along with Gosling at his goofiest, bring the comical whimsy.
This odd tonal combination is turning out to be a crowd-pleaser, with Project Hail Mary…
Auteur: Eileen Jones
