Zygmunt Bauman’s Century

Zygmunt Bauman is globally recognized as a theorist of “liquid modernity.” The term, which suggests that the main feature of the current stage of the modern era is increasing individual and collective uncertainty, gained widespread popularity due to his book of the same title published in 2000. Few remember that he began his academic career much more humbly as a researcher studying the British labor movement.

At the turn of the 1950s, in the early years of the Polish People’s Republic, universities became the target of a government campaign to establish Marxism-Leninism, the Eastern Bloc’s official ideology, as the hegemonic approach in higher education and research. Sociology was condemned as a “bourgeois” discipline. Following the principle of partisanship in philosophy, all higher learning was required to support the existing political order.

Navigating this highly restricted academic landscape became the defining experience for a generation of Polish intellectuals. Bauman was no exception. He was trained as an adversary of Western social scientists, exposing how their work did not conform to Marxist-Leninist orthodoxy. His formation took place on the front lines of the ideological Cold War.

It was not long until it became clear that this ideological method of scholarly inquiry revealed more about its own shortcomings than the errors of its presumed opponents. One of the things that disturbed Bauman in Marxist-Leninist orthodoxy was the complete absence of society from the worldview of a nominally socialist state.

The official scholarship maintained that the “masses” must follow the direction decided by the communist party leadership. There was no need to consult the public on political decisions; as long as its passivity was secured, a bright communist future would follow.

In contrast, Bauman believed that no progressive change could ever succeed without simultaneously fostering the autonomy and agency of the people. This political stance was…

La suite est à lire sur: jacobin.com
Auteur: Artur Banaszewski

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